2. 阿拉斯代尔灰色 河马，一系列图片 高清作品[99%]

The Hippopotamus, a series of pictures

图片文件尺寸 : 4241 x 4472px

Alasdair Gray:The Hippopotamus, a series of pictures (7)

No.1 \'The broad backed hippopotamus...\'
ink and acrylic on card and paper
62.5 x 36.5 cm. (24 5/8 x 14 3/8 in.)

No.2 \'The Hippo\'s feeble steps may err...\'
ink and acrylic on card and paper
62.5 x 36.5 cm. (24 5/8 x 14 3/8 in.)

No.3 \'The \'potamus can never reach...\'
ink and acrylic on card and paper
62.5 x 36.5 cm. (24 5/8 x 14 3/8 in.)

No.4 \'At mating time the hippo\'s voice...\'
ink and acrylic on card and paper
62.5 x 36.5 cm. (24 5/8 x 14 3/8 in.)

No.5 \'The hippopotamus\'s day...\'
lithograph with hand written dedication in ink, \"To the Gordon MacPherson 1 Sept 1976, the year of the Great Heat and start of the New Depression./As a momento of the original, commissioned and owned by him, which is on it\'s way from Alasdair Gray: not yet! Gray adds in October 23, 2003\"
62.5 x 36.5 cm. (24 5/8 x 14 3/8 in.)

No.6 \'I saw the \'potamus take wing...\'
ink and acrylic on card and paper
62.5 x 36.5 cm. (24 5/8 x 14 3/8 in.)

No.7 \'He shall be washed as white as snow\'
ink and acrylic on card and paper
62.5 x 36.5 cm. (24 5/8 x 14 3/8 in.)




阿拉斯代尔灰色 河马，一系列图片

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13. 吉福德·迈尔斯 无 题 高清作品[79%]

图片文件尺寸 : 4277 x 5556px

GIFFORD MYERS:
Poolside Pleasures/Rue du Plongeur, 1980
signed, titled and dated \'GIFFORD MYERS 1980 \"POOLSIDE PLEASURES/RUE DU PLONGEUR\"\' (on the reverse)
acrylic, glaze and wire on ceramic
2 1/2 x 4 1/4 x 2 1/2 in.
6.4 x 10.8 x 6.4 cm.


Moonlight on the Bay/Summer in Sausalito, 1986
signed, titled and dated \'\"MOONLIGHT ON THE BAY/SUMMER IN SAUSALITO\" GIFFORD MYERS 1986\' (on the reverse)
acrylic, glaze and wire on ceramic
2 3/4 x 5 x 2 3/4 in.
7 x 12.7 x 7 cm.

吉福德·迈尔斯 无 题

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14. Alecos Fassianos 无 题 高清作品[77%]

图片文件尺寸 : 4723 x 4325px

Alecos Fassianos: a) Jeune homme doré
signé en grec (en bas à gauche)
acrylique sur papier marouflée sur toile,
cadre réalisé par l\'artiste
48.5 x 30cm (19 1/8 x 11 13/16in)
avec le cadre 64 x 45cm (25 3/16 x 17 11/16in)

signed in Greek (lower left)
acrylic on paper laid on canvas, frame painted by the artist

b) Nature Morte
signé en grec en haut à gauche
acrylique sur carton
49 x 33cm (19 5/16 x 13in).
Peint en 1985-87

signed in Greek (upper left)
acrylic on cardboard

(2)

Alecos Fassianos 无 题

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15. 彼得·哈雷，当代艺术I 高清作品[77%]

DO-Peter Halley - 现代艺术 I
图片文件像素：5946 x 5480 px

彼得·哈雷，当代艺术I-

Peter Halley - Zeitgenössische Kunst I-

(born in New York 1953)
Six Prisons, 2006, signed and dated on the reverse, acrylic, fluorescent acrylic, pearlescent, metallic acrylic, and Roll-a-Tex on 6 adjoined canvases, 190.5 x 190.5 cm

We are grateful to Peter Halley Studio, New York for the kind assistance with the cataloguing of this work.

Provenance:
Galerie Forsblom, Stockholm (label on the reverse)
Private Collection, Vienna

Exhibited:
Galerie Forsblom, Helsinki, 10 November
2006 - 10 January 2007
Peter Halley – Prisons, Friedrich Schiller University,
Jena, 德国y, 10 May 2014 – 27 July 2014

Literature:
Martin S. Fischer, Barbara Happe, Steffen Siegel, et al.,
Peter Halley – Prisons, exhibition catalogue (Jena: Friedrich Schiller University, 2014), 91, ill.

“The deployment of the geometric dominates the landscape. Space is divided into discrete, isolated cells, explicitly determined as to extent and function. Cells are reached through complex networks of corridors and roadways that must be traveled at prescribed speeds and at prescribed times. The constant increase in the complexity and scale of these geometries continuously transforms the landscape…

Along with the geometrization of the landscape, there occurs the geo-metrization of thought. Specific reality is displaced by the primacy of the model. And the model is in turn imposed on the landscape, further displacing reality in a process of ever more complete circularity.”
Peter Halley, The Employment of the Geometric

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